Biblio

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B
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Bubmann, Klaus, and Florian Matzner. eine DATA base: Nam June Paik, Edited by Klaus Bubmann. Germany, 1993.
Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.
Buchloh, Benjamin. "Allegorical Procedures: Appropriation and Montage in Contemporary Art." Artforum 21 (1987).
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buckley, Tom. "Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Buckner, Barbara. Light and Darkness in the Electronic Landscape: Some Aspects of the Video Image., 1978.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Buckner, Barbara. "Healing Interactions and Interactive Digital Art - News and Project Statement." Afterimage (2001).
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Burnham, Jack. "Systems Aesthetics." Artforum 7, no. 1 (1968).
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Butler, Michael L. V.. "Dear Thespians: -." (1974).
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
Buvoli, Luca. Not-a-Superhero, I presume. Temporanea, 1997.

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