Biblio

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F
Sorensen, Vibeke. Future Tense: Arts Education Technology. http://visualmusic.org/vibeke, 1991.
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Sandin, Dan. From the Distribution Religion - Notes on the Aesthetic of Copying an Image Processor., undated.
Simmons, Richard. From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981).
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts., undated.
Sitney, Adams P.. Film Culture Reader. NY: Praeger, 1970.
Nuding, Jeffrey C.. Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
Sturken, Marita. "Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
Stewart, Tom, and Peter Farleigh. Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
E
Experimental Television Center, Brewster, Richard, Matt Schlanger, and Miller Hocking Sherry. Experimental Television Center System Manual: Manual for The Experimental Television Center Video Synthesizer Studio. Owego, NY: Experimental Television Center, 1976.
Experimental Television Center, Brewster, Richard, Matt Schlanger, and Miller Hocking Sherry. Experimental Television Center System Manual: Manual for The Experimental Television Center Video Synthesizer Studio. Owego, NY: Experimental Television Center, 1976.
Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Experimental Television Center Studio System Manual - Keying., 1980.
Simmons, Richard. Everson Video Revue. Catalog with Images. Syracuse, NY: Everson Museum of Art, 1979.
Simmons, Richard. Everson Video Revue Introduction. Syracuse, NY: Everson Museum of Art, 1979.
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Siegel, Eric. Eric Siegel - Documents: Modifications to Portapak, Video Synthesizer 1971 - 1976., 1971.
Snyder, Ellsworth. Ellsworth Snyder: An Interview with John Cage, John Cage Discusses Fluxus.. New York, NY, 1991.
Strange, Allen, and Gordon Mumma. Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
Strange, Allen, and Donald Buchla. Electronic Music Resource Book: The Buchla Music Easel., undated.
Siegel, Eric. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Eric Siegel: EVS Electronic Video Synthesizer (Analog), 1970, Dual Colorizer (Analog), 1971., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Vasulka, Woody, and Jeffrey Schier. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.
Sandin, Dan. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Dan Sandin, IP (Analog Image Processor), 1972., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

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