Biblio
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Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
"Imaging postmemory/renegotiating history." Afterimage (1999).
"Video as a Performance Medium." Sightlines 16, no. 3 (1983).
"Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
Computer Inputs and Outputs." Scientific American (1966): 86-97.
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
" The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
"Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
Moholy-Nagy, Fotoplastiks: The Bauhaus Years.. Bronx, NY: The Bronx Museum of the Arts, 1983.
Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
Holography Handbook: Making Holograms the Easy Way: Hologram included.. Berkeley, CA: Ross Books, Inc., 1982.
Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.