Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.

Wilson, Stephen. Information Arts : Intersections of Art, Science, and Technology. MIT Press, 2003.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. MIT, 2003.

Jackson, Maria-Rosario. Investing in Creativity: A Study of the Support Structure for U.S. Artists. Urban Institute, 2003.

Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.

Mantic ecstasy: Digital image and Video Art. Japan, 2003.

Wassall, Gregory H., and Douglas DeNatale. New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.

Depocas, Alain. Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.

High, Kathy. "Risk/ Riesgo." Felix: A Journal of Media Arts and Communication. 2, no. 3 (2003).

Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.

The Evolutionary Girls Club. Rochester, NY: PEP Studios, 2003.

Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.

Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.

Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.

Huberman, Anthony, Alanna Heiss, and Glenn D. Lowry. Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust. P.S. 1, 2003.

Rush, Michael. Video Art. NY, NY: Thames and Hudson, 2003.

McDonnell, Maura. Visual Music: Notes for a Lecture., 2003.

Rinder, Lawrence, Anne Ehrenkranz, and Joel Ehrenkranz. Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.

Malloy, Judy. Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.

Malloy, Judy. Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.

The Evolutionary Girls Club (Not to be Mistaken for the Old Boys Club). Rochester, NY: PEP Studios, 2002.

Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.

Trocco, Frank, and Robert Moog Trevor Pinch. Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.

Sherman, Tom. Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.

MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.

McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.

McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.

Halleck, DeeDee. Hand-Held Visions: The ImpossiblePossibilities of Community Media. Fordham Univ Press, 2002.

ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.

Me As Mo Tr D' Ho Vo Ir Al Un Mm La Es Es E Nt by Alexander Hahn.. Bacelona (?), Spain (?): Musee Jenisch Vevey, 2002.