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Wooster, Ann-Sargent. "Manhattah Short Cuts - Themes in Image Processing at The Kitchen, December 1981." Afterimage 9, no. 9 (1982).
Wooster, Ann-Sargent. "Video Installations." Videography 9, no. 9 (1984).
Wooldridge, Dean E.. The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
Poster for Synergism: Video Environments and Performances. Gary Hill, Walter Wright, Sara Cook and Judy Bachrach. October 4 - 6, 1975., 1975.
April 10 - 26, 1975. Poster and program for Women's Interart Center "Women's Video Festival". Coordinators - Susan Milano and Ann Eugenia Volkes.., undated.
Wollen, Peter. Readings and Writings. London: Verse Editions and New Left Books, 1982.
Wollen, Peter, and Kathleen Woodward Anthony and Wilder. The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.
Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana University Press, 1972.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Wolff, Janet. The Social Production of Art. NY: New York University Press, 1984.
Poster for broadcast on WNET of "Global Groove". October 2, 1974., 1974.
Wisniewski, Lance. "New Scene at Synapse." Videography 3, no. 2 (1978).
Wise, Howard. TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.
Winston, Brian. "A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
Winner, Langdon. Autonomous Technology. Cambridge: MIT Press, 1977.
Wilson, Stephen. Information Arts : Intersections of Art, Science, and Technology. MIT Press, 2003.
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. MIT, 2003.
Willoughby, Dominique. Steina and Woody Vasulka Videastes 1969-1984: 15 Annees d'Images electroniques. In French., Edited by Dominique Willoughby. Paris: MBXA/Cinedoc, 1984.
Williams, Raymond. Television: Technology and Cultural Form. NY: Schocken Books, 1974.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
"Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.
American Film and Video: Whitney Biennial. Copenhagen: Statens Museum for Kunst, 1996.
Whitney, John H.. "A Computer Art for the Video Picture Wall." Art International, no. 15 (undated).
White-Henson, Wendy. Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
White, Robin. "Media Alliance: A Network for the Electronic Arts." Videography 9, no. 7 (1984).