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Wooster, Ann-Sargent. "Video Installations." Videography 9, no. 9 (1984).
Wooster, Ann-Sargent. "Some People Just Don't Get It: Music Video - The Industry and the Fringes." Afterimage 15, no. 3 (1987).
Wooldridge, Dean E.. The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
Poster for Synergism: Video Environments and Performances. Gary Hill, Walter Wright, Sara Cook and Judy Bachrach. October 4 - 6, 1975., 1975.
April 10 - 26, 1975. Poster and program for Women's Interart Center "Women's Video Festival". Coordinators - Susan Milano and Ann Eugenia Volkes.., undated.
Wollen, Peter, and Kathleen Woodward Anthony and Wilder. The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.
Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana University Press, 1972.
Wollen, Peter. Readings and Writings. London: Verse Editions and New Left Books, 1982.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Wolff, Janet. The Social Production of Art. NY: New York University Press, 1984.
Poster for broadcast on WNET of "Global Groove". October 2, 1974., 1974.
Wisniewski, Lance. "New Scene at Synapse." Videography 3, no. 2 (1978).
Wise, Howard. TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.
Winston, Brian. "A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
Winner, Langdon. Autonomous Technology. Cambridge: MIT Press, 1977.
Wilson, Stephen. Information Arts : Intersections of Art, Science, and Technology. MIT Press, 2003.
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. MIT, 2003.
Willoughby, Dominique. Steina and Woody Vasulka Videastes 1969-1984: 15 Annees d'Images electroniques. In French., Edited by Dominique Willoughby. Paris: MBXA/Cinedoc, 1984.
Williams, Raymond. Television: Technology and Cultural Form. NY: Schocken Books, 1974.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
"Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.
American Film and Video: Whitney Biennial. Copenhagen: Statens Museum for Kunst, 1996.
Whitney, John H.. "A Computer Art for the Video Picture Wall." Art International, no. 15 (undated).
White-Henson, Wendy. Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
White, Robin. "various." TV Magazine. (1983).