Biblio

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bibliographic
Viola, Bill. "Sight Unseen: Enlightened Squirrels and Fatal Experiments." Video 80, no. 4 (1982).
Kaufman, Paul. Dear Chloe. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Bark Productions, Cuddy, Terry, John Beer, and Marshall Stax. Self-Portrait (Upside Down) by John Beer and Terry Cuddy. Ithaca, NY: Bark Productions, undated.
Shibaden. Solid State Video Tape Recorder, SV-510U (SC124K).. Japan: Shiba Electric Co., LTD., undated.
Experimental Television Center: Imaging System Manual - The Digital Imaging System. Owego, NY: Experimental Television Center, 1981.
Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.
Sandin, Dan, and Thomas DeFanti. Some Organizing Principles in Man Machine Interaction. Chicago, IL: University of Illinois at Chicago Circle, undated.
Economos, Nicolas. "Embracing Digital Ruptures." The Squealer 15, no. 1 (2004): 2.
Zusman, Neil. The Interactive Show. Buffalo, NY: Artists Gallery, 1990.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
Cage, John. Towards (a definition of) Experimental Music.., undated.
Sony Video Products Catalog., undated.
Lerner, Jesse. "Superocheros." Wide Angle 21, no. 3 (1999).
Bodolai, Joe, and Harry Isobel. "Decentralization of the Means of Visual Production." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Sony Corporation of America. Sony. Automatic Editing Control Unit BVE-500A. U-Matic Professional Operation and Maintenance Manual: 3rd Edition. Serial No. 20301 to 21010.. Japan: Sony Corporation of America., 1978.
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Jevnikar, Jana. Video Services Profile. NY: Center for the Arts Information, 1983.
Anderson, Birger, and Scanimate Computer Image. Computer Image Corporation reprint of article, "Case Study: A look At Video Animation". Broadcast Enginnering., 1979.
Satin, Sheldon. "Learning to Live with and Love the New Technology." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
Eidophor Operator's Manual- Copy. Zurich: Eidophor, 1961.
Malkiewicz, Kris J.. Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.
Canon Roll Duplicator 460, Kaljet Printer 200, Kalkard Mounter 350, Documat Microfilmer 230, Processor Camera 161G, Microfiche Reader 150, Universal Reader 302/303, 301/301A, 300, 180/180Y, Microfiche Reader 200, Universla Printer 330F, Roll Duplicator 80. Tokyo, Japan: Canon, 1972.
Sony P.E.T.I-1S Professional Monitors (Product Engineering Technical Information) (2 copies)., undated.
Denson Electronic Corp. Flyer 978 S3; 975 S7, 980 J1(2); 978 J1; 977 J1. Ellington, CT: Denson Electronic Corp., undated.
Leyda, Jay. Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.
Boyle, Deirdre. "Libraries." Televisions The Quest for Distribution issue VI, no. 3 (1978).
Sony Corporation of America. Sony. Videocassette Recorder, Betamax, SLO-340: Operating Instructions.. Japan: Sony Corporation of America., 1977.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Arte de Video. Caracas: Museo de Arte Contemporaneo de Caracas, 1975.
Sturken, Marita. Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.

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