Biblio

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bibliographic
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Strange, Allen, and Donald Buchla. Electronic Music Resource Book: The Buchla Music Easel., undated.
Brewster, Richard. Hocking System: D+7A Input/ Output Extension Box. Binghamton, NY: Experimental Television Center, 1979.
Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.
Boyer, Jean-Pierre. Letter of inquiry for a residency at the Experimental Television Center by Montreal video artist Boyer. December 2, 1973.., 1973.
Bennahum, David S.. Extra Life: Coming of Age in Cyberspace. Basic Books, 1999.
Benmussa, Simone, and Susan Britton. Babajaga: Rassegna Internazionale Donne Autrici di Cinema e Video. Schede Video.. Roma, Italy: Coop. Il Bagatto.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Birdwhistell, Ray L.. Kinetics and Context: Essays on Body Motion Communication.. Philadelphia: University of Pennsylvania Press, 1970.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Jones, Dave, and Richard Brewster. Jones Switcher. Binghamton, NY: Experimental Television Center, 1978.
Boyle, Deirdre. "Juan Downey's Recent Videotapes." Afterimage 6, no. 40545 (1978).
Bertram, Neal H., and A. Eshel. Recording Media Archival Attributes (Magnetic) Report RR-80-01. Redwood City, CA: Ampex, 1979.
Bark Productions, Cuddy, Terry. Method Crying: A new book by Terry Cuddy.. Ithaca, NY: Bark Productions, 1996.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Bode, Peer. Representation and Abstraction in Video., 1981.
Bear, Lisa. "Various Artists." Avalanche, no. eight (1973).
Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.
Barzyk, Fred. "TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.
Brewster, Richard, and Dave Jones. System I, Sequencer. Binghamton, NY: Experimental Television Center, 1978.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.

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