Biblio
Filters: First Letter Of Last Name is A [Clear All Filters]
Catalogue., undated.
CCTV Monitors MMR23, MMA16, MMA10, Cameras PVC828, PVC808PVR708. N. Hollywood, CA: Audiotronics Corporation, undated.
Computer Image Corporation reprint of article, "Case Study: A look At Video Animation". Broadcast Enginnering., 1979.
Confessions of a Pixil-Picker., 2004.
Conversation with John Godfrey." Videography 8, no. 8 (1983).
"Conversation with Jon Alpert and Keiki Tsuno." Videography 5, no. 9 (1980).
"David Keller: Youthful Optimist/Nihilist." Videography 5, no. 8 (1980).
"Dialecic of Enlightenment. NY: Seabury Press, 1972.
Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.
Donnell Center: Collecting Artists' Tapes for Public Use." Videography 2, no. 10 (1977).
"Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ed Emshwiller: Combining Inner and Outer Landscapes." Videography 8, no. 9 (1983).
"Edin Velez: A Romantic Realist." Videography 8, no. 10 (1983).
"Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Nam June Paik & Shuya Abe, Paik/Abe Video Synthesizer (Keyer & Colorizer) & Scan Modulator (a.k.a. "the Wobbulator"), 1970., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Elaine Velazquez: Video Access Project." Videography 4, no. 4 (1979).
"Electronic Tourists: Giving Art a Bad Name." Videography 4, no. 6 (1979).
"ELSE/WHERE: MAPPING ? New Cartographies of Networks and Territories. MN: University of Minnesota Design Institute, 2006.
Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.
Film as Art. Berkeley. Berkeley: University of California Press, 1957.
Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.
Film Program. NY: American Federation of Arts, 1984.
Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.
Fitzgerald/Sanborn: Towards a New VIsual Language." Videography 4, no. 11 (1979).
"For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
French Video Art. Paris: Center for Media Art , The American Center, undated.
Gene Culture: Molecular Metaphor in Visual Art." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"German Video and Performance. Toronto: A Space, 1980.
Gloria Deitcher: Exposing Human Frailties." Videography 7, no. 4 (1982).
"Gloria Dietcher: Entrepreneur/Video Artist." Videography 7, no. 2 (1982).
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