Filters: First Letter Of Last Name is F  [Clear All Filters]
Fargier, Jean Paul. Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.
Kubota, Shigeko, Toni Stoss, and Zdenek Felix. Shigeko Kubota: Video Scuptures. Germany, undated.
Journal Article
Felsenstein, Lee. "?Report on the Status of the Tom Swift Terminal Design?" LGG Engineering 1, no. 1 (1976).
Furlong, Lucinda. "A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, no. 8 (1983).
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Fenton, Kirk. "Bringing TV To the People." Pipe Dream (1971).
Fallica, Sal, Otto Piene, Elizabeth Goldberg, and Vin Grabill. "Excerpts from Tambellini's Black Electromedia, an interview by Sal Fallica with Otto Piene, Elizabeth Goldberg and Vin Grabill." (1981).
Furlong, Lucinda. "Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
Fessler, Floyd. "Has TV Finally Become An Art?" California Living (1973).
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra." Afterimage 11, no. 1 and 2 (1983).
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
Prentice, Patrick, Ira Zarov, Dinah Prentice, and Dorothy Feeley. "Overview (1998) and Descriptions (1972, 1973)." Tube 1, no. 1 (1973).
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Fifield, George. "The Digital Atelier." Art New England (1997).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"various." Release Print: The newsletter of Film Arts Foundation 16, no. 9 (1993): 1-29.
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Farrell, Tom. "We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
Flexer, Robert J., and Gio Wiederhold. A Building Block Approach to Color Graphics (excerpted) In Computer Graphics Quarterly. Vol. 13., 1979.