Biblio
Video Services Profile. NY: Center for the Arts Information, 1983.
Catalog III: Young Filmakers/ Video Arts, Edited by Sandra Walker. New York, NY: Young Filmmakers Foundation, 1982.
Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: David Jones: Jones Frame Buffer (Spatial and Intensity Digitizer), 1977., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.
Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
Jahreskatalog 1998. Jahreskatalog 1998, 1998.
Shigeko Kubota: Video Sculpture, Edited by Mary Jane Jacob. New York, NY: American Museum of the Moving Image, 1991.
Shigeko Kubota: Video Sculpture, Edited by Mary Jane Jacob. New York, NY: American Museum of the Moving Image, 1991.
The MIT Press. Continuous Replay: the Photographs of Arnie Zane., Edited by Jonathon Green. Cambridge, MA: The MIT Press, 1999.
VIII. International Film and Video Art Festival., Edited by Hartyandi Jeno and Toth Erzebet. Gyor, Hungary: Visual Workshop of Gyor, 1991.
Test file., 1999.
A Case Against 'Structural Film." Journal of the University Film Association 33, no. 2 (undated).
"An Interview with Peer Bode." The Squealer Winter (1983).
"Joan Jonas: The Mirror Staged." Art In America 69, no. 12 (1981).
"Soundtack of "Blonde Cobra"." Kinemathek. 70, no. 22 (1986).
"The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
"Up in the Air, An Interview with Brian Springer." The Squealer March April (1989).
"Wrong Move." Sight & Sound 50, no. 2 (1981).
"ETC Proposal: Frame Buffer 1987., 1987.
Interview with Hank RUdolph. Owego, NY, 2010.
Video Preservation - The Basics., 2000.
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