Biblio
Electronic Imagemaking: How to Use 1/2" Portable VTRs." Petersen's Photographic Magazine 5, no. 5 (1976): 60-63.
"Eleanor Antin." Artweek 10, no. 6 (1979).
"Critical Theory and Electronic Media." Theory and Society 10, no. 6 (1981).
"Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
"Communication, Organizations and John Stuart Mill." National Center for Experimental in Television Reports 3 (1972).
"Center Lets People Use TV For Themselves." Press (1971).
"Buckminster Fuller's Geodesic Dome." (1956): 1-5.
"Bill Viola's Video Vision." Video 80 2, no. 1 (1981).
"Bill Viola's Video Vision." Video 81 2, no. 1 (1981).
"Bill Viola's Room for St. John of the Cross: A Video Installarion Viewed within the Tradition of Visual Art." Video (1986).
"Bill Viola's Room for St. John of the Cross: A Video Installarion Viewed within the Tradition of Visual Art." Video (1986).
"Avant-Garde TV: Simulation and Surveillance." Video (1986).
"Artists Making the News: Artists Re-Making the News." Afterimage 10, no. 4 (1982).
"A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
"60's Spirit, 80's Tech: Nam June Paik Home TV." The Australian Video Fertival (1986).
"Wildernrss: A Video Installation by Mary Lucier. Cambridge: New England Foundation for the Arts, 1986.
VideoFest '89. Berlin, Germany: MedienOperative, 1989.
Video: Sammanstallt av Peter R. Meyer. Bild- & Ljudverkstaden, Sodertalje, March 17 - April 1, 1984.. Sodertalje Kulturnamnd & Peter R. Meyer, 1984.
The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Tate Modern: Between Cinema and a Hard Place. London, England: The Tate Gallery, undated.
Surveillance. Los Angeles: (LACE), 1987.. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.
Steve Reinke: The Hundred Videos, Edited by Philip Monk. Toronto, Ontario, Canada: The Power Plant, 1997.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: On Television. New York, NY: The New York State Council on the Arts, 1994.
Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.
Recent British Video. London: Onlywomen Press, undated.