Jenkins, Bruce, and Susan Krane. Hollis Frampton: Recollections Recreations. Cambridge, MA: MIT Press, 1984.

Kuntzel, Thierry. Nostos?II: Installations. Paris: Centre Georges Pompidou, 1984.

Kolyer, Diane. "Video Art Goes State of the Art." Videography 9, no. 10 (1984).

Hagen, Charles, and Laddy Kite. "Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka." Artforum 23, no. 7 (1985).

Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.

"Special Issue on Video." Kunstforum (1985).

Kruger, Barbara. TV Guides Twenty-one Essays on Television, Edited by Barbara Kruger. NY: Kuklapolitan Press, 1985.

Kruger, Barbara. TV Guides Twenty-one Essays on Television, Edited by Barbara Kruger. NY: Kuklapolitan Press, 1985.

Kolpan, Steven. "Bateson Through the Looking Glass." Video and the Arts 11 (1986).

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture. unpublished thesis, 1988.

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.

Koszarski, Richard. Masterpieces of Moving Image Technology. NY, NY: American Museum of the Moving Image, 1989.

Stooss, Toni, and Thomas Kellein. Nam June Paik: Video Time - Video Space, Edited by Toni Stooss. New York, NY: Harry N. Abrams Inc., 1993.

Knowles, Marguerite W.. "Mediascope Buffalo: The Moving Image In and Around Buffalo 1970-1985." The Squealer 11, no. 2 (1996).

Kanter, Beth. Building Arts Audiences and Communities on the Web: A Guide for Arts Organizations. NY, NY: New York CFoundation for the Arts, 1997.

Licata, Elizabeth, and John Knecht. John Knecht: Animating Destiny. Castellani Art Museum of Niagara University, 1997.

Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.

Knecht, John. Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.

Knecht, John. Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.

Kerne, Andruid. "CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.

Kearns, Mary Ann. Origins: REdiscovering the Future of Video Art. Vol. Cambridge. Boston, MA: Art Interactive, 2003.

Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.

Kaplan, George. "Architechtural Space, Psychology, and Video." National Center for Experimental in Television Reports 3 (undated).

Kaplan, George. Architectural Space, Psychology, and Video. San Francisco, CA: National Center for Experiments in Television, undated.

Guberman, Ross, and Julia Kristeva. Julia Kristeva Speaks Out.., undated.

Klark-Teknik DN-36 Operating Instructions. Farmingdale, NY: Klark-Teknik Electronics Inc., undated.

KLH 120 Watt Powered Subwoofer Owner's Manual. Sun Valley, CA: KLH Audio Systems, undated.

Korg Monophonic Synthesizer MS-20 Setting Examples; Owner's Manual. Tokyo, Japan: Keio Electronic Lab Corp. Korg Electronic Ltd., undated.