Biblio

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Coynik, David. Film: Real to Reel. Evanston, IL: McDougal, Littell & Company, 1972.
Jacobs, Ken, and Tom Gunning. Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
First World Order.. Tempe, AZ: Office of the Dean, College of Fine Arts at Arizona State University., 1995.
Ancona, Victor. "Fitzgerald/Sanborn: Towards a New VIsual Language." Videography 4, no. 11 (1979).
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Footprints: Media Art by Philip Mallory Jones. Hamilton, NY: Colgate University, 2003.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Althusser, Louis. For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
Varela, Willie, and James Irwin. Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Rosebush, Judson. Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973.
French Video Art. Paris: Center for Media Art , The American Center, undated.
From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981).
Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Sorensen, Vibeke. Future Tense: Arts Education Technology. http://visualmusic.org/vibeke, 1991.
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).

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