Biblio

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F
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
First World Order.. Tempe, AZ: Office of the Dean, College of Fine Arts at Arizona State University., 1995.
Ancona, Victor. "Fitzgerald/Sanborn: Towards a New VIsual Language." Videography 4, no. 11 (1979).
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Footprints: Media Art by Philip Mallory Jones. Hamilton, NY: Colgate University, 2003.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Althusser, Louis. For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
Varela, Willie, and James Irwin. Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.
Formative Meetings, Description (1979, 1980)., undated.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Yalkut, Jud. "Frank Gillette and Ira Schneider: Parts I and II of an Interview." Radical Software, no. 1 (1970).
Rosebush, Judson. Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973.
French Video Art. Paris: Center for Media Art , The American Center, undated.
From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Boyle, Deirdre. "From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981).
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Tsuchiya, Arthur. From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
Simmons, Richard. From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.
Sandin, Dan. From the Distribution Religion - Notes on the Aesthetic of Copying an Image Processor., undated.

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