Zimmermann, Patricia. "Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).

Simmons, Richard. Psycho-Flux Reunion.., 1998.

Halleck, DeeDee. "Public Radio and Television in America: A Political History." Afterimage (1998).

Dasgupta, Gautam, and Christopher Ho. Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.

Playback 1996: Video Preservation Roundtable. BAVC, 1996.

Sondheim, Alan. "Presence of Future Presence of Video: Thing II." Art Vu (1994).

High, Kathy. "Post Literate." Felix: A Journal of Media Arts and Communication 1, no. 3 (1993).

Mohlhenrich, Janice. Preservation of Electronic Formats & ElectronicFormats for Preservation, Edited by Janice Mohlhenrich. WI: Highsmith Press, 1993.

Dunn, David. Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Wheeler, Jim. Preservation of Video and Audio Tapes., 1992.

Downing, John. Political Video in the United States: A Statement for the 1990s. In At Arm's Length (Osborn) which see.., 1990.

Hocking, Ralph. A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.

"Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.

Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.

Goldberg, Roselee. Performance Art. London, 1988.

Zusman, Neil. Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.

Proposed Access Points for Experimental Film and Video Art Cataloging Records - Linda Tadic; USMARC Code List fo Countries; MARC for Archival Visual Materials: A Compendium of Practice - Linda Evans and Maureen Will, Chicago Historical Society, 1988.. Washington, DC: Library of Congress, 1988.

Worden, John. "Pulling the Plug." Afterimage 15, no. 8 (1988).

Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).

Weibel, Peter. "Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).

Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.

Warshawski, Morrie. "Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).

Lovejoy, Margaret. Post Modern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: University of Michigan, 1985.

Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).

Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Caplan, Elliot. "Producing Videodance." Videography 10, no. 9 (1985).

Lyotard, Jean-Fransois. "Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).

Gorewitz, Shalom. "Passages at the Experimental TV Center." The Independent 6, no. 9 (1983): 19.

Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.

Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).