Biblio

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The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Sugaya, Hiroshi. "The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
Sturken, Marita. "Television Fictions: An Interview with Ed Bowes." Afterimage 13, no. 10 (1986).
Sturken, Marita. "The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Sturken, Marita. "Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
Sturken, Marita. "The Gentrification of Video." Afterimage 13, no. 4 (1988).
Streckler, Larry. "Tape Home Movies for Your TV Screen." Popular Mechanics, no. November (1965).
Stout, David, and Bob Campbell. "Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
St. Lawrence, Jim. "The Temporary State of the Art." Videography 10, no. 6 (1985).
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Sondheim, Alan. "Throat." Art Papers (1994).
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Sondheim, Alan. "Towards A Primary Differentiation Between Film and Video." Art Papers (1989).
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
Slobode, Usvajanje. Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.
Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.

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