Biblio

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bibliographic
Hindman, James. "A Survey of Alternative Video Part I." AFI Edurational Newsletter 4, no. 2 (1980).
Hearn, William. EAB VideoLab Instruction Manual (E-Module). Berkeley, California: Electronic Associates of Berkeley, undated.
Hall, Doug. "Video Art: A Short History (On the Head of a Pin)." Video Networks 11, no. 1 (1986).
Horrigan, Bill. The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Herzogenrath, Wulf. Videokunst in Deutschland: 1963-1982. In German., Edited by Wulf Herzogenrath. Stuttgart: Verlag Gerd Hatje, 1982.
Hewlett Packard/ Sanborn Division. Instruction Manual for Sanborn ECG Preamplifier (Model 60-200).. Hewlett Packard/ Sanborn Division., undated.
Hansen, Mark B. N.. New Philosophy for New Media. MIT Press, 2004.
Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.
de Havilland, Robert. "Special Issue on Video." Print (1972).
Hochberg, J., and V. Brooks. The Perception of Television Displays. Columbia University, 1973.
Hearn, William. 77 Videolab Output Keyer Fader, Effects Amp, and Options. Berkeley, California: Electronic Associates of Berkeley, 1977.
Haller, Robert A.. "various." Field of Vision,, no. 40796 (1980): 1-37.
Hallock, Don. "Don Hallock's Videola." Bay Guardian Calendar September 20 through October 4, 1973 (1973).
High, Kathy. "Voyeruism." Felix: A Journal of Media Arts and Communication 2, no. 2 (1999).
Harris, Craig. "FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).
DeFanti, Thomas A.. Exhibition of Computer Graphics in Collaboration with the SIGGRAPH '83 Exhibition of Computer Art, Edited by Laurin Herr. Japan: Hakuhodo Incorporated, 1983.
Hagen, Charles, and Laddy Kite. "Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka." Artforum 23, no. 7 (1985).
Hocking, Sherry Miller. Want Ads., 1972.
Hearn, Bill. Woody Vasulka Interviews Bill Hearn., 1978.
Howard, Brice. "Letter to David Dowe." National Center for Experimental in Television Reports 2 (undated).
Hill, Chris. "Interview with Peer Bode." The Squealer 11, no. 2 (1996).
Hayles, Katherine N., and Katherine Hayles. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago, 1999.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.
Henderson, Brian. A Critique of Film Theory. NY: E. P. Dutton, 1980.
Herzogenrath, Wulf. "Attempts to Get Rid of the Damned Box." Video 80 5 (1982).
Howley, Kevin. Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
Barrett, Cyril. An introduction to Optical Art, Edited by David Herbert. England: Studio Vista Limited/ Dutton, 1971.
Hitachi Model EA-103U(E,K) Effects Amplifier Service Manual. Tokyo, Japan: Hitachi Denshi, Ltd., undated.
Hearn, William. EAB VideoLab Module E Summary. Berkeley, California: Electronic Associates of Berkeley, 1979.

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