Biblio

Filters: First Letter Of Last Name is M  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
bibliographic
Mayer, Alfred. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.
Moholy-Nagy, L.. Vision in Motion, Edited by Paul Theobald. Chicago, IL: ID Book: Institute of Design, 1947.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Moog, Robert. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Robert Moog: Moog Modular Audio Synthesizer, 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
Schier, Jeffery, and Don McArthur. Report on S-100 Bus. Owego, NY: Experimental Television Center, undated.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Mellencamp, Patricia. "Avant-Garde TV: Simulation and Surveillance." Video (1986).
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Mogul, Susan. "Electronic Imagemaking: How to Use 1/2" Portable VTRs." Petersen's Photographic Magazine 5, no. 5 (1976): 60-63.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Mosco, Vincent, and Andrew Herman. "Critical Theory and Electronic Media." Theory and Society 10, no. 6 (1981).
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Murray, Timothy. "various." Film/ Video/ Multimedia Update 7, no. 7 (2004).
Microbotics, Inc. Starboard2 User Guide Readme Notes, revision 1.03. Richardson, TX: Microbotics, Inc., 1987.
McIntosh MC 2105 Solid State Stereo Amplifier Sales Literature.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
MacCabe, Colin. High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
Monkhouse, Richard. The Moving Art of Video Graphics- or How to Drive a Spectre. Video and Audio-Visual Review, undated.
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
Reilly, John, and Stefan Moore.. "The Making of the Irish Tapes." Filmmakers Newsletter December (1975).
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

Pages