Biblio

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G
Gale, Peggy. Bibliography: Peggy Gale., 1996.
Geever, Martha. "New York Media Group Spins Its Reels in Rochester." Afterimage (1983).
Gever, Martha. "Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference." Afterimage (1998).
Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Ghazala, Qubais Reed. Circuit Bending & Living Instruments: The Trigon Incantor., undated.
Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Gips, Terry. "Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
Godfrey, Robert. "On That Very Uncomfortable Edge: An Interview with Alan Sondheim." The Arts Journal (1989).
Goldberg, Henry. Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Goss, Carol. Driven to Abstraction., 1998.
Grace, Sharon. "Video Tape Survival: The Cleaning, Time Base Correcting and Reformatting of Deteriorating Video Tape for Real to Reel: Artists' Video 1970-72." Video Networks 9, no. 3 (1985).
Grant, Roberta. "Ralph Hocking and the Experimental Television Center." Videoscope 1, no. 2 (1977).
Grossman, Peter Z.. "Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
Gusella, Ernest. A Statement on Video., 1979.
Gwin, Bill. "Video Feedback: How to Make it; An Artist's Comments on its Use; A Systems Approach." National Center for Experimental in Television Reports 3 (undated).
H
Hagen, Charles, and Laddy Kite. "Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
Hall, David. Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
Halleck, DeeDee. Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Hanhardt, John. Strengthening the Media Arts in New York State : John Hanhardt. ETC, 2004.
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Hays, Ron. Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Herskowitz, Richard. Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).

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