Biblio
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Context and Impact: Goals and Implementation for the Society for Photographic Education." exposure: New Technology 21, no. 1 (1983).
"circuits@nys: Governor's Conference on Arts and Technology, Edited by Debby(Conference Project Director) Silverfine. NY, NY: New York State Council on the Arts and New York Foundation for the Arts, 1998.
Computer Inputs and Outputs." Scientific American (1966): 86-97.
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Cooperstown TV is a Museum., undated.
Collector's Video." Artweek 5, no. 23 (1974).
"Cups, Ballet, Funny Video." Art News, no. 72 (1983).
"Computers and Art." Humanities News, no. 5 (1982).
" Catalog III: Young Filmakers/ Video Arts, Edited by Sandra Walker. New York, NY: Young Filmmakers Foundation, 1982.
Computer Art as a Way of Life." SEND 2, no. 1 (1983).
"Cray-1." Ars electronica (1984).
"Collaboration in Electronic Image Processing: Electron Movers. self-published MFA Thesis for Rutgers University, 1987.
Chronology (1998)., 1971.
Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).
" "Changing License., 1975.
Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
"Cybernetic Serendipity: The Computer and the Arts, Edited by Jasia Reichardt. New York: Praeger, 1969.
CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
Chris Petit and Iain Sinclair Asylum." Film Comment (2000).
"The Computer: A Tool for Thought-Experiments. Salt Lake City, UT: University of Utah, Department of Communication.
Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
"Confessions of a Pixil-Picker., 2004.
Circle 8: International Forum of Super-8 Catalog. NY, NY: Exit Art, 1988.
Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
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