Biblio
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Peter Campus. Syracuse, NY: Everson Museum of Art,, 1974.
Preserving the Moving Image. Washington, DC: Corporation for Public Broadcasting and the National Endowment for the Arts, 1974.
Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Paul Ryan Video Pioneer: From Teen Age Monk to Video Bareback Rider." Video 81 2, no. 1 (1981).
""Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.
Profile: Video Visionary Nam June Paik." The New Yorker (1975).
"Profiles: Video Visionary." The New Yorker 51, no. 11 (1975).
"Preliminary Development Report: The Arp Synthesizer. Newton Highlands, MA: Tonus, Inc., 1970.
Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
"Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).
" Pulling the Plug." Afterimage 15, no. 8 (1988).
"Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
"Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.
Pantomation., 1975.
Paik-Abe Vieo Synthesizer: as freely as Picasso, as colorfully as Renoir. Korea: Nam June Paik Art Center, 2011.
Programs of the Art and Science Laboratory., undated.
Programs of the Electronic Music Foundation., undated.
Programs and Activities (1997, 1998)., undated.
Program (1971)., undated.
Personal Recollections., 2004.
Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
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