Biblio

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One Synthesizer Makes More Music- a comparison the EML-101, Arp Odyssey, Sonic V!, and Mini-Moog; other literature and prices.. Vernon, CT: Electronic Music Labs, Inc., undated.
Programs of the Electronic Music Foundation., undated.
New Artists, New Tapes, and Special Series. New York, NY: Electronic Arts Intermix, undated.
Artists Videotape Distribution Service., undated.
Electronic Arts Intermix Presents: New Tapes 1997. New York, NY: Electronic Arts Intermix, 1997.
Electronic Arts Intermix Artists in 1995 Whitney Biennial Exhibition. New York, NY: Electronic Arts Intermix, 1995.
Instruction and Service Manual for Electrohome VP-7 (600-901) Video Interface Panel for Television Receiver/Monitor Applications; Color Television Owner's Manual. Kitchener, Ontario, CAN: Electrohome Limited, 1980.
ElectroComp Studio Synthesizer Model EML-200; Performance Synthesizer Model EML-100; Manual Controller Model EML-300. Vernon, CT: Electronic Music Labs, Inc., undated.
Eisenstein, Sergei. Film Form and The Film Sense: Essays in Film Theory, Edited by Jay Leyda. New York, NY: Meridian Books, 1957.
Wiring Diagram for Dual Light Path Eidophor Projector, Power and High Voltage Power Supplies(2 copies), Video and Deflection Amplifiers (2 copies), Procurement Specification for Front Projection Screen For Use in Visual Simulator by IBM Owego, Proposal fr. Eidophor, 1961.
Eidophor Black and White Video Projector Operating Instructions Appendix One for Video and Deflection Chassis Type 250. Eidophor, 1966.
Eidophor Working Instructions, (condensed copy also). Basel: Eidophor, 1961.
Eidophor Fernseh-Grossbild-Projektor (German), with hand-written English annotation on photographs. Eindhoven, Holland: Eidophor, Phillips, 1961.
Eidophor Operator's Manual- Copy. Zurich: Eidophor, 1961.
Eidophor Large Screen Television Operator Manual (English). Regensdorf, Switzerland: Eidophor, Phillips, Gretag Limited, 1961.
Instruction Manual for Eico Model 377 Sine and Square Wave Audio Generator (2 copies). Brooklyn, NY: Eico Electronic Instrument Co., Inc., 1952.
Ehmke, Ron, and Elizabeth Licata. Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls., Edited by Ron Ehmke. Buffalo, NY: Hallwalls, 1996.
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
"Festival Issue." Sightlines 16, no. 4 (1983).
Special Purpose Television Systems by Edo Western. Salt Lake City, Utah: Edo Western, 1972.
12th Annual Black Maria Film and Video Festival. Jersey City, NJ: Edison Media Arts Consortium, 1992.
Edgar, Robert. Personal Recollections., 2004.
Edgar, Robert. A Context for First-Generation PC Art Times and Aesthetics in the Early Days of the Personal Computer: 1970s - 1980s.. http://www.robertedgar.com/Articles/RBE_LEA_Context4FirstGenPCArtists.htm, undated.
Economos, Nicolas. "Embracing Digital Ruptures." The Squealer 15, no. 1 (2004): 2.
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976.
Eagleton, Terry. Walter Benjamin, or, Towards a Revolutionary Criticism. New Left Books, 1981.
Eagleton, Terry. Literary Theory: An Introduction. Minneapolis: University of Minnesota Press, 1983.
Eagleton, Terry. Criticism and Ideology. London: Verso Editions, 1978.
Minimal Art: A Critical Anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1968.

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