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Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.
Montgomery Ward Model 10301 CED Video Disc Player. Chicago, Illinois: Montgomery Ward, 1981.
McIntosh MC-30 Instruction Manual. Binghamton, NY: McIntosh Laboratory, Inc., 1960.
MacDonald, Scott. "Movies Before Cinema." Wide Angle 16, no. 40545 (undated).
Sandin, Dan, and Phil Morton. Conversational Process: Feedback Loops., 1973.
Miller, Branda. Surveillance. Los Angeles: (LACE), 1987.. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Moore, Rebecca, and Gayle Gibbons Larry Kirkman. "various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
Meigh-Andrews, Chris. A History of Video Art. Oxford-New York,: BERG, 2006.
Messier, Paul. Media Alliance Preservation Survey. Boston: Boston Art Con, 1997.
Malina, Frank J.. Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
Vitiello, Stephen, and Leanne Mella. "Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
Minkowsky, John. "Mindframes: Media Study at Buffalo, 1973-1990." Film Quarterly 61, no. 2 (2007).
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
Kaehler, Carol, and Clement Mok. Macpaint User's Manual. Cupertino, CA: Apple Computer, 1983.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 5. Morse/ Electrophonic Chassis 2UA.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Morgan, Christopher L.. Digital Graphic Systems CAT-100- A Complete Color Imaging System on Two S-100 Boards with Video Frame Grabber; Graphics Routines for the CAT-100 Version 3.0 (15 pages both sides). Palo Alto, CA: Digital Graphic Systems, 1978.
Mumma, Gordon. Considerations of the Basic Parameters of Sound., undated.
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Moholy-Nagy, Sibyl, and Walter Gropius. Moholy-Nagy: Experiment in Totality. Cambridge, MA: MIT Press. Massachusetts Institute of Technology, 1950.
McGee, Micki. "Artists Making the News: Artists Re-Making the News." Afterimage 10, no. 4 (1982).
McIntosh Product Catalog includes Models: Mac 1900, Mac 1700 Receivers; Loudspeakers ML 1C, ML 2C, ML 4C, L 3 C, ML 2 M, ML 4 M, L 3 M; C 26, C 28 Preamplifiers; MI 3 Maximum Performance Indicator; Tuners MR 78, MR 77, MR 74; Tuner-Preamplifiers MX 113, M. Binghamton, NY: McIntosh Laboratory, Inc., undated.
Mayer, Alfred. Electronic Music for the Seventies by the Boys from Putney Operator Manual for VCS3a Putney Synthesizer. Morristown, NJ: Ionic Industries, Inc., undated.
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Marshall, Stuart. Recent British Video. London: Onlywomen Press, undated.
Rhea, Tom. Micromoog 2090 Operation Manual. Lincolnwood; Williamsville, Illinois; N.Y.: Moog (A Product of Norlin Corporation), 1976.
Media Alliance 1985 Annual Conference. New York, NY: The Kitchen, 1985.
McLuhan, Marshall. Verbo-Voco-Visual Explorations. NY: Something Else Press, 1967.