Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.

Paik, Nam June, and Shuya Abe. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Nam June Paik & Shuya Abe, Paik/Abe Video Synthesizer (Keyer & Colorizer) & Scan Modulator (a.k.a. "the Wobbulator"), 1970., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Catalogue., undated.

Benmussa, Simone, and Susan Britton. Babajaga: Rassegna Internazionale Donne Autrici di Cinema e Video. Schede Video.. Roma, Italy: Coop. Il Bagatto.

ART. V. A One-Day Symposium on Video in Buffalo. Buffalo, NY: Albright-Know Art Gallery, 1977.

Art V: A One-Day Symposium on Video in Buffalo. Buffalo, NY: Albright Knox Art Gallery, 1977.

Art in General: Manual 1994-1995.. New York, NY: Art in General, Inc., 1995.

Ars Electronica 1990: Digital Dreams - Virtual Worlds. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1990.

Anthology Film Archives: Paul Sharits- A Retrospective.. New York, NY: Anthology Film Archives, 1993.

American Documentary Video: Subject to Change. New York, NY: The American Federation of Arts, 1989.

Acconci, Vito. A Retrospective1969 to 1980. Chicago: Museum of Contemporary Art,, 1980.

1986 National Video Festival. The American Film Institute, 1986.

1985 National Video Festival. American Film Institute, 1985.

Arnheim, Rudolf. Visual Thinking. Berkeley, CA: University of California Press, 1969.

Strick, Jeremy, and et al. Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.

Various Product brochures including "101 Ways To Get More Out Of Your Video Equipment" (2), Adwar Post Production Keyer, Burst Adder, Portable Sync Generator, Chroma Keyer (modified Sony DXC-1600 CCU), Portable Color "Hip Switcher", Low Light Level Ampli. New York, New York: Adwar Video Corporation, undated.

Adler, Richard. Understanding Television: Television as a Social and Cultural Force, Edited by Richard Adler. New York: Praeger, 1981.

Adler, Richard. Understanding Television: Television as a Social and Cultural Force, Edited by Richard Adler. New York: Praeger, 1981.

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.

de Lauretis, Teresa, and Kathleen Woodward and Andreas Huyssen. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.

Arlen, Michael. The Living Room War. NY: Viking Press,, 1969.

Sanz, Luciana. The Language of Video., undated.

Arendt, Hannah. The Human Condition. NY: Doubleday/Anchor Press, 1959.

Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.

Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.

Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.

The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.

Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.

Tekscope: Volume 13, Number 1. Tektronix., Edited by Gordon Allison.. Beavertown, OR: Tektronix., 1981.