Biblio

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Book
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Hochberg, J., and V. Brooks. The Perception of Television Displays. Columbia University, 1973.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Barnouw, Erik. The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.
Bode, Peer. UBER ORGAN ( body of life )., 2003.
Beck, Stephen. Union. Description of videotape., undated.
McArthur, Donald, and Richard Sherry Brewster, Miller. Vasulka, Experimental Television Center Computer Project documents (1977). Binghamton, NY: Experimental Television Center, 1977.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.
Boyle, Deirdre. Video Preservation: Securing the Future of the Past. NY, NY: Media Alliance, 1993.
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Betancourt, Michael. Visual Music Instrument Patents: Volume One. Borgo Press, 2004.
Berger, John. Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972.
Bazin, Andre. What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.

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