Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.

Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.

Boyle, Deirdre. Video Preservation: Securing the Future of the Past. NY, NY: Media Alliance, 1993.

Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.

Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.

McArthur, Donald, and Richard Sherry Brewster, Miller. Vasulka, Experimental Television Center Computer Project documents (1977). Binghamton, NY: Experimental Television Center, 1977.

Beck, Stephen. Union. Description of videotape., 1976.

Bode, Peer. UBER ORGAN ( body of life )., 2003.

Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.

Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.

Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.

Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.

Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.

Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.

Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.

Burnham, Jack. The Structure of Art. NY: Braziller, 1970.

Barnouw, Erik. The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.

Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.

Hochberg, J., and V. Brooks. The Perception of Television Displays. Columbia University, 1973.

Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.

Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.

Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.

Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.

Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.

The National Video Preservation Center - A Brief Overview., undated.

Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.

Brand, Stewart. The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.

Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.

Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.

Berger, John. The Look of Things. NY: Viking Press, 1972.