Biblio

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bibliographic
The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.
Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
Tracey, Michael. "The Poisoned Chalice? International Television and the Idea of Dominance." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 17-56.
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
Miller, Jonathon. "The Mind's Eye and the Human Eye." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 185-200.
Kaufman, Paul. "Television and Reality: A Report from the Television: Art and Information Meeting (Asilomar, CA 6/8-11/73." National Center for Experimental in Television Reports 2 (undated).
Kaufman, Paul. Television: Art & Information, Values and practices in public broadcasting.. San Francisco, CA: National Center for Experiments in Television at KQED, 1973.
Kaufman, Paul. Television and Reality: A Report from the Television: Art and Information Meeting. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Kepes, Gyorgy. The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.
Kirby, Michael. The Art of Time. NY: E. P. Dutton, 1969.
Kirby, Lynne. The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Klein, Howard. The Rise of the Televisualists in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Kruger, Barbara. TV Guides Twenty-one Essays on Television, Edited by Barbara Kruger. NY: Kuklapolitan Press, 1985.
Labat, Tony. "The Hearing." SEND (undated).
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
Lacan, Jacques. The Language of the Self. NY: Delta, 1968.
Lacan, Jacques. "Television." October 10 (1987).
Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
Tele Techno Notes., 1975.
Tele Techno Conference., 1975.
Levine, Les. "The Information Fallout." Studio International 181 (1971).
Levine, Les. "The Programmer's Genitals." SEND 2, no. 1 (1983).
Lichty, Patrick. "The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"The Video Issue." Lightworks 1, no. 5 (1976).
Linhart, Henry Coshey. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).

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