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Service Manuals for National Portable VTR Model NV-3082E. Osaka, Japan: Matsushita Electric Co., 1972.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Martinez, Charles, and A. L. Rees. "Taka Iimura Interview." Intercut 9 (1984).
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
Marshall, Stuart. Recent British Video. London: Onlywomen Press, undated.
Marshall, Stuart. "Video Technology and Practice." Screen 20, no. 1 (1979).
Marsh, Ken. "Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
Marsh, Ken. History of Woodstock Community Video, Ken Marsh (1974). San Francisco: Straight Arrow Books, 1974.
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Margolies, John. "TV The Next Medium." Art In America 57, no. 5 (1969).
Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.
Manovich, Lev. New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Mamber, Stephen. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.
Malloy, Judy. Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.
Malloy, Judy. Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.
Malkiewicz, Kris J.. Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Malina, Frank J.. Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
MacGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
MacDonald, Dwight. Dwight MacDonald on Movies. Englewood Cliffs, NJ: Prentice- Hall, Inc., 1969.