Biblio

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M
Service Manuals for National Portable VTR Model NV-3082E. Osaka, Japan: Matsushita Electric Co., 1972.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Martinez, Charles, and A. L. Rees. "Taka Iimura Interview." Intercut 9 (1984).
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Marshall, Stuart. Recent British Video. London: Onlywomen Press, undated.
Marshall, Stuart. "Video Technology and Practice." Screen 20, no. 1 (1979).
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
Marsh, Ken. "Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
Marsh, Ken. History of Woodstock Community Video, Ken Marsh (1974). San Francisco: Straight Arrow Books, 1974.
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Margolies, John. "TV The Next Medium." Art In America 57, no. 5 (1969).
Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.
Manovich, Lev. New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Mamber, Stephen. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.
Malloy, Judy. Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.
Malloy, Judy. Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.
Malkiewicz, Kris J.. Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Malina, Frank J.. Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
MacGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
MacDonald, Scott. A Critical Cinema: Interviews with Independent Filmmakers. University of California Press, 1988.
MacDonald, Scott. "Movies Before Cinema." Wide Angle 16, no. 40545 (undated).

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