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McDonnell, Maura. Visual Music: Notes for a Lecture., 2003.
D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
Moore, Rebecca, and Gayle Gibbons Larry Kirkman. "various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
VideoFest '89. Berlin, Germany: MedienOperative, 1989.
Mamber, Stephen. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Minsky, Marvin L., and Edward Friedkin. How to Make Muse Music User's Manual., Edited by Triadex Director Music of Ted Lagodmos. Newton Upper Falls, MA: Triadex Incorporated, 1970.
Minkowsky, John. "Bill Viola's Video Vision." Video 81 2, no. 1 (1981).
McIntosh Owner's Manual for Model MPI 4 Maximum Performance Indicator.. Binghamton, NY: McIntosh Laboratory, Inc., 1973.
Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1353, Folder 6, Morse/ Electrophonic Models T-660CC, T-710CC.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Messier, Paul. Media Alliance Preservation Survey. NY, NY: Media Alliance, 1997.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Moholy-Nagy, L.. Vision in Motion, Edited by Paul Theobald. Chicago, IL: ID Book: Institute of Design, 1947.
McLuhan, Marshall. Understanding Media: The Extensions of Man. NY: McGraw-Hill, 1964.
MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
Moog, Robert. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Robert Moog: Moog Modular Audio Synthesizer, 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Schier, Jeffery, and Don McArthur. Report on S-100 Bus. Owego, NY: Experimental Television Center, undated.
Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Mellencamp, Patricia. "Avant-Garde TV: Simulation and Surveillance." Video (1986).