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Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
McArthur, Donald. Computer Based Video Synthesis System: Interface of LSI-11 Computer to Video Image Processing System., 1977.
Moholy-Nagy, L.. Vision in Motion, Edited by Paul Theobald. Chicago, IL: ID Book: Institute of Design, 1947.
McLuhan, Marshall, and Quentin Fiore. War and Peace in the Global Village. New York, NY: Bantam Books, 1968.
MacDonald, Scott. A Critical Cinema 3: Interviews with Independent Filmmakers. University of California Press, 1998.
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
McCarthy, Kevin, Elizabeth H. Ondaatje, and Laura Zakaras Arthur and Brooks. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. RAND, 2004.
Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.
Moog, Robert. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Robert Moog: Moog Modular Audio Synthesizer, 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Malloy, Judy. Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.
Schier, Jeffery, and Don McArthur. Report on S-100 Bus. Owego, NY: Experimental Television Center, undated.
Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.
McIntosh Quick Reference for Audio Compensator C-108; C-104. Binghamton, NY: McIntosh Laboratory, Inc., undated.
Heath, Stephen, and Patricia Mellencamp. Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Mellencamp, Patricia. "Avant-Garde TV: Simulation and Surveillance." Video (1986).
Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.
Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Mogul, Susan. "Electronic Imagemaking: How to Use 1/2" Portable VTRs." Petersen's Photographic Magazine 5, no. 5 (1976): 60-63.
McIntosh MC-30 Instruction Manual. Binghamton, NY: McIntosh Laboratory, Inc., 1960.
MacDonald, Scott. "Movies Before Cinema." Wide Angle 16, no. 40545 (undated).
Mosco, Vincent, and Andrew Herman. "Critical Theory and Electronic Media." Theory and Society 10, no. 6 (1981).
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Murray, Timothy. "various." Film/ Video/ Multimedia Update 7, no. 7 (2004).
Microbotics, Inc. Starboard2 User Guide Readme Notes, revision 1.03. Richardson, TX: Microbotics, Inc., 1987.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
Kaehler, Carol, and Clement Mok. Macpaint User's Manual. Cupertino, CA: Apple Computer, 1983.
Monkhouse, Richard. The Moving Art of Video Graphics- or How to Drive a Spectre. Video and Audio-Visual Review, undated.