Biblio

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T
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Conrad, Peter. Television: The Medium and Its Manners. London: Routledge, 1982.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
Cesan, Donna. The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The Low Power Television Guidebook: A Primer on the Low Power Service. Washington, DC: CPB, 1980.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
de Certeau, Michael. The Practice of Everyday Life. Translated by Steven F. Randall. Berkeley: University of California Press, 1984.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Conrad, Tony. "The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Connor, Russell. "The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Cage, John. Towards (a definition of) Experimental Music.., undated.
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
V
Chris, Cynthia. "Video art: dead or alive?" Afterimage, no. November December (1996).
Chris, Cynthia. "Video Art: Stayin' Alive." Afterimage (2000).
Video as Art. Cortland, NY: Cortland Arts Council Gallery, 1987.

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