Biblio

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Book
Wolff, Janet. The Social Production of Art. NY: New York University Press, 1984.
Minsky, Marvin. The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
Barnouw, Erik. The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
Tovey, John. The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
de Lauretis, Teresa, and Kathleen Woodward and Andreas Huyssen. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Hearn, William. The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Robinson, Richard. The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
Robinson, Richard. The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
Hallock, Don. The Videola Under Construction in the Studio., undated.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
Emmer, Michele. The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Cage, John. Towards (a definition of) Experimental Music.., undated.

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