Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.

Video 2000. Dayton, OH: Wright State University Art Galleries, 2000.

Chris, Cynthia. "Video Art: Stayin' Alive." Afterimage (2000).

Videospace: The National Center for Experiments in Television, 1967-1975. An exhibition in collaboration with UC Berkeley Art Museum and Pacific Film Archive. September 14 - November 15, 2000. Postcard.., 2000.

Seid, Steve, and Maria Troy. Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.

The Evolutionary Girls Club. Rochester, NY: PEP Studios, 2001.

Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.

Martin, Abigail Leab, and Linda Elkins Christine Lee Amy Wood compiled byand Jane D. Johnson, Linda Tadic. AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.

Druckrey, Timothy. Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory, and Practice), Edited by Timothy Druckrey. MIT Press, 2001.

Wands, Bruce. Digital Creativity: Techniques for Digital Media and the Internet. Wiley, 2001.

Digital Happy Hour. New York, NY: The Kitchen, 2001.

Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.

Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.

Plessi, Fabrizio. Only Fire, Edited by Gabriele Bosch, Christine Humpl and Monika Maul. Edition Sammlung Essl, 2001.

Institute, Takahiko Iimura Media. Reviews of Takahiko Iimura: Film, Video, Multimedia (1978-2001)., Edited by Kazuyo Yasuda. Tokyo, Japan: Takahiko Iimura Media Institute, 2001.

MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.

Manovich, Lev. The Language of New Media. MIT Press, 2001.

Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.

The Evolutionary Girls Club (Not to be Mistaken for the Old Boys Club). Rochester, NY: PEP Studios, 2002.

Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.

Trocco, Frank, and Robert Moog Trevor Pinch. Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.

Sherman, Tom. Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.

MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.

McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.

McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.

Halleck, DeeDee. Hand-Held Visions: The ImpossiblePossibilities of Community Media. Fordham Univ Press, 2002.

ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.

Me As Mo Tr D' Ho Vo Ir Al Un Mm La Es Es E Nt by Alexander Hahn.. Bacelona (?), Spain (?): Musee Jenisch Vevey, 2002.

Packer, Randall. Multimedia: From Wagner to Virtual Reality, Expanded Edition. W.W. Norton & Company, 2002.

Nam June Paik e l'invenzione della videoarte. Regione Piemonte, 2002.