Biblio

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Book
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Althusser, Louis. For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Coynik, David. Film: Real to Reel. Evanston, IL: McDougal, Littell & Company, 1972.
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
Thomas, Sari. Film/Culture: Explorations of Cinema in its Social Context, Edited by Sari Thomas. Metuchen, NJ: The Scarecrow Press, 1982.
Pudovkin, V. I.. Film Technique. London, England: George Newnes, Limited, 1929.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Dworkin, Stephen. Film Is. Woodstock, NY: Overlook Press, 1975.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.
Eisenstein, Sergei. Film Form and The Film Sense: Essays in Film Theory, Edited by Jay Leyda. New York, NY: Meridian Books, 1957.
Sitney, Adams P.. Film Culture Reader. NY: Praeger, 1970.
Perkins, V. F.. Film as Film: Understanding and Judging Movies. Harmondsworth, Middlesex, England: Penguin Books Limited, 1972.
Arnheim, Rudolf. Film as Art. Berkeley. Berkeley: University of California Press, 1957.
Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading, MA: Addison- Wesley Publishing Company, 1979.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.

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