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bibliographic
Barzyk, Fred. "TV as Art as TV." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
Bass, Warren. "Avant-Garde Film/Video Issue." Journal of the University Film Association 33, no. 2 (1981).
Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.
Battcock, Gregory. New Artists Video: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1978.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Battcock, Gregory. "Explorations in Video." Art and Artists (1973).
Battcock, Gregory. "Nam June Paik Exhibition in New York." Domus 559 (1976).
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, Philip Beitchmann.. Semiotext(e), 1983.
Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Bazin, Andre. What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Bear, Lisa. "Various Artists." Avalanche, no. eight (1973).
Bear, Liza. "various articles." Avalanche, no. 7 (1973).
Bear, Liza. "Man Ray. Do You Want To . . .An Interview With William Wegman." Avalanche 7 (undated).
Bearman, David. Archiving and Authenticity: The Getty Art History Information Program Research Agenda for Networked Cultural Heritage,. 1995, 1995.
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Beck, Stephen. Direct Video: Electronic Artform for Color Television. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing and Video Synthesis by Stephen Beck., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Becker, Barbara. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.
Bell, Clive. Art. New York, NY: Capricorn Books, 1958.
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn.. NY: Schocken, 1976.
Benjamin, Walter. Reflections. Edited by Peter Demetz. Translated by E. F. N. Jephcott H.. NY: Harcourt Brace, Jovanovich, 1978.

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