Biblio

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V
Montreal Tapes: Video as a Community or Political Tool. Montreal, Quebec: The Vancouver Art Gallery, 1978.
VDS160 User's Manual. Valley Data Sciences.. Mountain View, CA: Valley Data Sciences, 1986.
U
Unterseher, Fred, Jeannene Hansen, and Bob Schlesinger. Holography Handbook: Making Holograms the Easy Way: Hologram included.. Berkeley, CA: Ross Books, Inc., 1982.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1979.
A SUNY Festival of Film and Video. Albany, NY: University-wide Programs in the Arts, 1982.
University-wide Celebration of the Arts. Albany, NY: University-wide Committee on the Arts, 1974.
University Wide Celebration of the Arts.., 1974.
Robert Russett: A Retrospective Survey. Lafayette, LA: University Art Museum, University of Southwestern Louisiana, 1989.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Untamed Video: Artists' Tapes from the Experimental Television Center. Binghamton, NY: University Art Gallery, 1988.
University, Yale. Animating the Static - Experiments in Video 1965-1980. Yale University, 1997.
Videospace: The National Center for Experiments in Television, 1967-1975. An exhibition in collaboration with UC Berkeley Art Museum and Pacific Film Archive. September 14 - November 15, 2000. Postcard.., 2000.
T
Tyner, Kathleen. Literacy in a Digital World: Teaching & Learning in the Age of Information. Mahwah, NJ: Lawrence Erlbaum Associates, 1998.
Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).
Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).
Turin, Maureen. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Turim, Maureen. Nortros II de Thierry Kuntzel. In French.. Paris: Centre Georges Pompidou, 1984.
Turim, Maureen. The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Turim, Maureen, and Scott Nygren. Steina and Woody Vasulka: Machine Media - Reading the Tools, Writing the Image., 1996.
Turim, Maureen. The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Turim, Maureen. "Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
Turim, Maureen. "Desire in Art and Politics: The Theories of Jean-Francois Lyotard." Camera Obscura, no. 12 (1984).
Tulbert, David. "White Ox Films: Funding the Future." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 21.
Tuchman, Maurice. Art and Technology. Los Angeles: Los Angeles County Museum of Art,, 1971.
Tsuchiya, Arthur. From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
Troy, Maria. "Video Preservation: A Report from the Trenches." Afterimage 23, no. September/October 1996 (1996).
Troy, Maria, and Steve Seid. "Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report." MAIN (1999).
Trocco, Frank, and Robert Moog Trevor Pinch. Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.
Tribe, Mark, and Reena Jana. New Media Art, Edited by Uta Grosenick. Taschen, 2006.
Minsky, Marvin L., and Edward Friedkin. How to Make Muse Music User's Manual., Edited by Triadex Director Music of Ted Lagodmos. Newton Upper Falls, MA: Triadex Incorporated, 1970.

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