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Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
Ross, David. "The Success of the Failure of Video Art." Videography 10, no. 5 (1985).
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Trend, David, and Laddy Kite. "The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
Tovey, John. The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
de Lauretis, Teresa, and Kathleen Woodward and Andreas Huyssen. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
St. Lawrence, Jim. "The Temporary State of the Art." Videography 10, no. 6 (1985).
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
del Renzio, Toni. "The TV Aesthetic." Art and Artists 9, no. 8 (1974).
Owett, Bernard. "The TV Commercial: Getting from There to Here." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 34-41.
D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
Conrad, Tony. "The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Grossman, Peter. "The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
Hearn, William. The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
"The Video Issue." Lightworks 1, no. 5 (1976).
Robinson, Richard. The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
Robinson, Richard. The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
Herzogenrath, Wulf. "The Video Scene." LBMAVIDEO 2, no. 6 (1986).
Aaron, Chloe. "The Video Underground." Art In America 59 (1971).
Connor, Russell. "The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
Pruitt, John. "The Video Work of Richard Foreman." The Downtown Review 3, no. 2 (1981).
Hallock, Don. The Videola Under Construction in the Studio., undated.
Restany, Pierre. "The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
Emmer, Michele. The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Ancona, Victor. "The Whitney Museum Biennial." Videography 8, no. 5 (1983).