Biblio

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V
Video and Pulse Distribution Amplifiers Instruction Manual. Visual Electronics Corporation. Models V201-203, Visual VC201B, Visual VC220B.. NY, NY: Visual Electronics Corporation, 1965.
"Art and the Technological Imperative: Special Section." Art & Cinema 3, no. 1 and 2 (1978).
"Upstate Media Group Forms." Afterimage 13, no. 10 (1988).
VIII. International Film and Video Art Festival., Edited by Hartyandi Jeno and Toth Erzebet. Gyor, Hungary: Visual Workshop of Gyor, 1991.
Vitiello, Stephen, and Leanne Mella. "Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
Vlahos-Gottschalk Research Corp. Operator Manual for the Ultimatte - 4.. Reseda, CA: Vlahos-Gottschalk Research Corp., 1980.
Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.
Vogele, Christoph. Alexander Hahn: Works 1976-2006. Kunstmuseum Solothurn and the Museum der Moderne Salzburg, 2006.
Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Vostell, Wolf. Happening und Leben. Berlin: Hermann Luchterhand Verlag,, 1970.
Votrax. Vocal Interface Division Federal Screw Works. Troy, Michigan: Votrax. Vocal Interface Division Federal Screw Works, 1973.
W
Wagner, Patrice. "Digital Portfolio." Computer Graphics World, no. September/October (1983).
Wagner, Patrice M.. "various." Computer Graphics World., no. August/September (1983).
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
Wands, Bruce. Digital Creativity: Techniques for Digital Media and the Internet. Wiley, 2001.
Wands, Bruce. Art of the Digital Age, Edited by Bruce Wands. Thames & Hudson, 2006.
Ward Electronic Industries. Riker-Maxon. Product Catalog.. Clark, New Jersey: Ward Electronic Industries. Riker-Maxon., undated.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1309, Folder 3. Wards Airline Model Gen-12743A.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Warehouse Sound Co. Professional Products Group. San Luis Obispo, CA: Warehouse Sound Co., 1974.
Warshawski, Morrie. "Morrie in Videoland: AFI National Video Festival." Videography 13, no. 4 (1988).
Warshawski, Morrie. "Bay Area Video Coalition: Harboring Independents." Videography 10, no. 3 (1985).
Warshawski, Morrie. "NAMAC 1987." Videography 12, no. 9 (1987).
Warshawski, Morrie. "Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
Warshawski, Morrie. "Artists and Facilities Form a Symbiotic Relationship." Videography 11, no. 2 (1986).
Warshawski, Morrie. "The Festival That's Worth the Trip." Videography 10, no. 12 (1985).
Washer, Sid. Jon Burris Interviews Sid Washer., 1978.
Wassall, Gregory H., and Douglas DeNatale. New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.
Watlington, Frank. How to Build & Use Low-Cost Hydrophones. Blue Ridge Summit, PA: TAB Books, 1979.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.

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