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Video and Pulse Distribution Amplifiers Instruction Manual. Visual Electronics Corporation. Models V201-203, Visual VC201B, Visual VC220B.. NY, NY: Visual Electronics Corporation, 1965.
"Art and the Technological Imperative: Special Section." Art & Cinema 3, no. 1 and 2 (1978).
"Upstate Media Group Forms." Afterimage 13, no. 10 (1988).
VIII. International Film and Video Art Festival., Edited by Hartyandi Jeno and Toth Erzebet. Gyor, Hungary: Visual Workshop of Gyor, 1991.
Vitiello, Stephen, and Leanne Mella. "Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
Vlahos-Gottschalk Research Corp. Operator Manual for the Ultimatte - 4.. Reseda, CA: Vlahos-Gottschalk Research Corp., 1980.
Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.
Vogele, Christoph. Alexander Hahn: Works 1976-2006. Kunstmuseum Solothurn and the Museum der Moderne Salzburg, 2006.
Volkmann, Herbert, and Henning Schou. Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Vostell, Wolf. Happening und Leben. Berlin: Hermann Luchterhand Verlag,, 1970.
Votrax. Vocal Interface Division Federal Screw Works. Troy, Michigan: Votrax. Vocal Interface Division Federal Screw Works, 1973.
Wagner, Patrice M.. "various." Computer Graphics World., no. August/September (1983).
Wagner, Patrice. "Digital Portfolio." Computer Graphics World, no. September/October (1983).
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
Wands, Bruce. Art of the Digital Age, Edited by Bruce Wands. Thames & Hudson, 2006.
Wands, Bruce. Digital Creativity: Techniques for Digital Media and the Internet. Wiley, 2001.
Ward Electronic Industries. Riker-Maxon. Product Catalog.. Clark, New Jersey: Ward Electronic Industries. Riker-Maxon., undated.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1309, Folder 3. Wards Airline Model Gen-12743A.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Warehouse Sound Co. Professional Products Group. San Luis Obispo, CA: Warehouse Sound Co., 1974.
Warshawski, Morrie. "Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
Warshawski, Morrie. "Artists and Facilities Form a Symbiotic Relationship." Videography 11, no. 2 (1986).
Warshawski, Morrie. "The Festival That's Worth the Trip." Videography 10, no. 12 (1985).
Warshawski, Morrie. "Morrie in Videoland: AFI National Video Festival." Videography 13, no. 4 (1988).
Warshawski, Morrie. "Bay Area Video Coalition: Harboring Independents." Videography 10, no. 3 (1985).
Warshawski, Morrie. "NAMAC 1987." Videography 12, no. 9 (1987).
Washer, Sid. Jon Burris Interviews Sid Washer., 1978.
Wassall, Gregory H., and Douglas DeNatale. New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.
Watlington, Frank. How to Build & Use Low-Cost Hydrophones. Blue Ridge Summit, PA: TAB Books, 1979.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.