Biblio

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bibliographic
DeFanti, Thomas A.. Exhibition of Computer Graphics in Collaboration with the SIGGRAPH '83 Exhibition of Computer Art, Edited by Laurin Herr. Japan: Hakuhodo Incorporated, 1983.
Zippay, Lori. Artists' Video: An International Guide, Edited by Lori Zippay. Cross RIver Press, 1992.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Ancona, Victor. "A Tour at New York's Whitney Museum." Videography 1, no. 9 (1976).
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Sony Color Videocasette System., 1971.
Roland. Roland. MicroComposer MC-202 Synthesizer.. Roland., 1983.
De Jong, Constance. "Joan Jonas: Organic Honey's Vertical Roll." Arts Magazine 47, no. 5 (1973).
Operation and Maintenance Manual For AC 20 Dual Channel Video Signal Processor AC 20A, ACR20. Los Gatos, CA: Adda Corporation, 1983.
Hearn, William. 77 Videolab Matrix Switcher. Berkeley, California: Electronic Associates of Berkeley, 1976.
Sony Corporation of America. Sony. BVU-200A Electrical Alignment, Preliminary.. Japan.: Sony Corporation of America., undated.
"various." Radio-Electronics (1968).
Creative Artists Public Service Program (CAPS). Annual Report 1980-81.. New York, New York: Creative Artists Public Service Program, 1981.
Kepes, Gyorgy. The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Sterling, Christopher H., and John M. Kittross. Stay Tuned: A Concise History of AmericanBroadcasting. Belmont, CA: Wadsworth, 1978.
Introduction to Final Report to NEA for the LSI-11 Computer Project. Binghamton, New York, 1977.
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.
Sony Corporation of America. New Product Information. Sony Color Sync Generator CG-101.. New York, NY: Sony Corporation of America., 1973.
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
MacGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
Tulbert, David. "White Ox Films: Funding the Future." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 21.
Demby, Betty Jeffries. "Highlights from Cannes: Ray: You Can't Go Home Again." Filmmakers Newsletter (1973).
Levine, Les. "The Information Fallout." Studio International 181 (1971).
"El Video issue." Telos, no. 9 (1987).
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
ArtVideo Confrontation '74. Paris: Musee d'Art Moderne de la Ville de Paris,, 1974.
Wortz, Melinda T.. "Southland Video Anthology." Artweek 6, no. 26 (1975).
New York State Council on the Arts: Proposal for Development of Synthesis System by Walter Wright for Live Performance., 1973.

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