Tandy Corporation. Radio Shack. The biggest name in little computers. TRS-80 Color Computer Micro-Computer System.. USA: Tandy Corporation., 1981.

Viola, Bill. "Sight Unseen: Enlightened Squirrels and Fatal Experiments." Video 80, no. 4 (1982).

Kaufman, Paul. Dear Chloe. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.

Dienst, Richard. Still Life in Real Time: Theory after Television. Durham, NC: Duke University Press, 1994.

Shibaden. Solid State Video Tape Recorder, SV-510U (SC124K).. Japan: Shiba Electric Co., LTD., undated.

Ampex Bulletin No. 9 March 1965- Recording Theory and Techniques As Applied To Tape, Part III- Video. Redwood City, CA: Ampex Corporation, 1965.

Crawford, Jr., Perry. Computer Graphics: General Information. New Environments for the New Education. Computer Graphics, 1967.

Rose, Brian. "The Future of Cultural Programming." Videography 11, no. 5 (1986).

Wolin, Richard, and Walter Benjamin. An Aesthetic of Redemption. NY: Columbia University Press, 1982.

EMS Product Sales Literature on Spectre Colour Video Synthesizer, includes press clippings, press release, and Panel diagram. London, England: EMS, undated.

Rankin, Scott. Video and Language: Video as Language. Los Angeles: Los Angeles Contemporary Exhibitions, 1987.

VIII. International Film and Video Art Festival., Edited by Hartyandi Jeno and Toth Erzebet. Gyor, Hungary: Visual Workshop of Gyor, 1991.

Kirby, Lynne. The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.

An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.

Shibaden. TV Receiver/Monitor, TU-200U (SC161K).. Japan: Shiba Electric Co., LTD., undated.

Ancona, Victor. "Bill Ritchie: Video in the Pacific Northwest." Videography 2, no. 6 (1977).

Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.

Jevnikar, Jana. Video Services Profile. NY: Center for the Arts Information, 1983.

Satin, Sheldon. "Learning to Live with and Love the New Technology." Print: Designing for TV: A Special Issue XXVI, no. I (1972).

Adorno, Theodor, and Max Horkheimer. Dialecic of Enlightenment. NY: Seabury Press, 1972.

Malkiewicz, Kris J.. Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.

A Guide to Programming the Fairchild F-8 Microcomputer, Revision A. Mountain View, CA: Fairchild Semiconductor, 1975.

Sony P.E.T.I-1S Professional Monitors (Product Engineering Technical Information) (2 copies)., undated.

Playback 1996: Video Preservation Roundtable. BAVC, 1996.

Harris, Craig. "FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).

Leyda, Jay. Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.

Sony Corporation of America. Sony. Videocassette Recorder, Betamax, SLO-340: Operating Instructions.. Japan: Sony Corporation of America., 1977.

Arnheim, Rudolf. Film as Art. Berkeley. Berkeley: University of California Press, 1957.

Arte de Video. Caracas: Museo de Arte Contemporaneo de Caracas, 1975.

Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.