Biblio

Journal Article
"Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.
Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Kurtz, Bruce. "Peter Campus." Arts Magazine (1973).
Moore, Alan. "Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art." Artforum, no. 12 (1974).
Meigh-Andrews, Chris. "Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor." Leonardo 40, no. 5 (2007): 463-467.
Lyotard, Jean-Fransois. "Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
Weibel, Peter. "Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).
"Picture of Video Bed." Arts Magazine 47 (1973).
Gever, Martha. "Pomp and Circumstances: The Coronation of Nam June Paik." Afterimage 10, no. 3 (1982).
Reidy, Robin. "Pop Pop Video." American Film (1980).
High, Kathy. "Post Literate." Felix: A Journal of Media Arts and Communication 1, no. 3 (1993).
Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).
Labat, Tony. "POV." Video 81 2, no. 1 (1981).
Sondheim, Alan. "Presence of Future Presence of Video: Thing II." Art Vu (1994).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 2 (1983).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 4 (1983).
Noble, David F.. "Present Tense Technology." Democrary 3, no. 3 (1983).
Conway, Paul. "Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).
Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
Rinehart, Richard. "Preserving the Rhizome ArtBase." Rhizome (2002).
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Gever, Martha. "Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium." Pressure Points: Video in the Public Sphere in Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Daedalus. "Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).
Daedalus. "Print Culture and Video Culture." Daedalus Fall (1982).
Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Zimmermann, Patricia. "Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
Zimmermann, Patricia. "Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
Caplan, Elliot. "Producing Videodance." Videography 10, no. 9 (1985).

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