Biblio

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Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Sharp, Willoughby. "The Artists Satellite TV Network." Video 80 1, no. 1 (1980).
The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.
The Austrian Video Festival. Sydney, 1986.
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Pandolfi, Keith. "The Beat Among Us: Jud Yalkut." Impact Weekly 8, no. 15 (2000).
Noll, Michael A.. "The Beginnings of Computer Art in the United States: A Memoir." Leonardo, no. September (1994).
Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.
Miller, Gregory. "The Best of the West?" Videography 10, no. 5 (1985).
Price, Jonathan. The Best Thing on Television: Commercials. Baltimore: Penguin, 1978.
Innis, Harold. The Bias of Communication. Toronto: University of Toronto Press, 1951.
Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Cat Fund: The Contemporary Art Television Fund. Boston, MA: The Cat Fund, 1988.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
Hoptman, Laura. "The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
de Lauretis, Teresa, and Stephen Heath. The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.
Loveless, Richard. The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Toffler, Alvin. The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.

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