Biblio

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Miller, Sherry. "Electronic Video Image Processing: Notes Toward a Definition." Exposure 21, no. 3 (1983).
Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).
Leogrande, Ernest. "The Video Stretch." Daily News (1973).
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73.., 1973.
Aldighieri, Merrill. Confessions of a Pixil-Picker., 2004.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: Video Processing Workshop. 1979., 1979.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.
Ghazala, Qubais Reed. Circuit Bending & Living Instruments: The Trigon Incantor., undated.
Information, Works and Activities: Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1976.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Ross, David. Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. New Technologies. ETC, 2004.
Boyer, Jean-Pierre. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Stern, Rudi. Stern Media Information., 1975.
Experimental Television Center, Dr. Donald McArthur, Walter Wright, Richard Brewster, and Sherry Miller Hocking. LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. 1977., 1977.
Zimmermann, Patricia. "Revolutionary Pleasures: Wrecking the Text in Compilation Documentary." Afterimage (1989).
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Dzwonkoski, Julia, and Kyle Potter. Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening.. ETC, 2004.
Nesthus, Marie. A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition.. NY, NY: Donnell Media Center, 2003.
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Supanick, Jim. "Quest for What: Video by the HalfLifers." Film Comment (1999).
London, Barbara. Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.

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