Biblio

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T
Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture. unpublished thesis, 1988.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Oliveros, Pauline. The Roots of the Moment: Pauline Oliveros. New York, NY: Drogue Press, 1998.
Young, Gayle. The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music.. Ottawa, Ontario, Canada: National Museum of Science and Technology, 1989.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Barzyk, Fred. The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Ancona, Victor. "The Seventh Ithaca Video Festival." Videography 6, no. 11 (1981).
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
Lovett, Sharon. The Sixth International Video Exchange Directory, Edited by Sharon Lovett. Vancouver: Press Gang Publishers, 1978.
Wolff, Janet. The Social Production of Art. NY: New York University Press, 1984.
Minsky, Marvin. The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
Hall, Doug. The Spectacle of Image. Boston: Institute of Contemporary Art, 1987.
Barnouw, Erik. The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
Ancona, Victor. "The State of the Art." Videography 4, no. 1 (1979).
Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
Dowling, Susan. "The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
Ross, David. "The Success of the Failure of Video Art." Videography 10, no. 5 (1985).
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Trend, David, and Laddy Kite. "The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
Hocking, Sherry Miller. "The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.

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