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Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
D'Agostino, Peter. Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Gattegno, Caleb. Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.
Cage, John. Towards (a definition of) Experimental Music.., undated.
Loeffler, Carl. "Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
McHale, John. "Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
Ancona, Victor. "Toshio Matsumoto: Spanning Film and Video." Videography 3, no. 11 (1978).
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Gangitano, Lia. Thread Waxing Space. LP: Luther Price: Imitation of Life.. New York, NY: Thread Waxing Space, 1999.
Subrin, Elisabeth, and Laurie Weeks. Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Lyotard, Jean-Fransois. "Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
Themes in Electronic Image Processing. NY, NY: The Kitchen, 1981.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Ancona, Victor. "The Whitney Museum Biennial." Videography 8, no. 5 (1983).
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Emmer, Michele. The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
Restany, Pierre. "The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
Hallock, Don. The Videola Under Construction in the Studio., undated.
Pruitt, John. "The Video Work of Richard Foreman." The Downtown Review 3, no. 2 (1981).
Connor, Russell. "The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
Aaron, Chloe. "The Video Underground." Art In America 59 (1971).