Biblio

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Kurtz, Bruce. "Video is Being Invented." arts magazine 47, no. 3 (1973).
Wallace, Linda. material media: artefacts from the digital age. Disseration thesis Australian National University , Canberra. Chapter 3 mediazone., 2003.
Dieckmann, Katherine. "Electra Myths: Video, Modernism, Postmodernism." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Quasha, George. Dialog with Ralph Hocking, Sherry Miller, Willoughby Sharp, George Quasha, Gary Hill, Neil Zusman, Paul Davis, Peer Bode., undated.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73.., 1973.
Sturken, Marita. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.
Curran, Ann. "Signals in Syracuse - Video History: Making Connections conference." Afterimage (1999).
Minkowsky, John. The Videotapes of Tony Oursler., 1985.
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
Milano, Susan. Women's Video Festival - Introduction., 1976.
Miller, Sherry. "Electronic Video Image Processing: Notes Toward a Definition." Exposure 21, no. 3 (1983).
Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).
Leogrande, Ernest. "The Video Stretch." Daily News (1973).
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. New Technologies. ETC, 2004.
Aldighieri, Merrill. Confessions of a Pixil-Picker., 2004.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: Video Processing Workshop. 1979., 1979.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.
Ghazala, Qubais Reed. Circuit Bending & Living Instruments: The Trigon Incantor., undated.
Information, Works and Activities: Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1976.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Ross, David. Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Boyer, Jean-Pierre. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Stern, Rudi. Stern Media Information., 1975.
Experimental Television Center, Dr. Donald McArthur, Walter Wright, Richard Brewster, and Sherry Miller Hocking. LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. 1977., 1977.
Zimmermann, Patricia. "Revolutionary Pleasures: Wrecking the Text in Compilation Documentary." Afterimage (1989).
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.

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