Biblio

Journal Article
Weibel, Peter. "Zur Geschichte und Asthetik der digitalen Kunst." Ars electronica 1984 (Supplement) (1984).
Adams, Brooks. "Zen and the Art of Video." Art in America 72, no. 2 (1984).
Lachenbruch, David. "Your Complete Guide to VCRs." Panorama 1, no. 1 (1980).
Jost, Jon. "Wrong Move." Sight & Sound 50, no. 2 (1981).
Shattuck, Roger. "Words and Images: Thinking and Translation." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 201-214.
Krieger, R. E.. "with Aldo Tambellini." SUNY Happening No. 5 227, no. 31 (1968).
Viola, Bill. "Will There Be Condominiums in Data Space?" Video 80, no. 5 (1982).
Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Lucas, Kristin. "Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
Tamblyn, Christine. "Whose Life Is it, Anyway?" Afterimage 15, no. 1 (1987).
Boyle, Deirdre. "Who's Who in Video: Bill Viola." Sightlines 16, no. 3 (1983).
Drury, Sarah. "Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
Tulbert, David. "White Ox Films: Funding the Future." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 21.
Drohojowsa, Hunter. "Whispers and Cries: Bill Viola at AFI." Video 80 (1983).
Boyle, Deirdre. "Whatever Happened to Guerrilla TV?" Videography 9, no. 12 (1984).
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
Sturken, Marita. "What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
Dzwonkoski, Julia. "What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
Sheridan, Lee. "Wellman Hall to Host Multi-Media Exhibition." Springfield Daily News (1972).
Schjeldahl, Peter. "Well, It?s a Heck of a Long Way from Marcus Welby." The New York Times (1971).
Farrell, Tom. "We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).

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