Biblio

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Buvoli, Luca. Not-a-Superhero, I presume. Temporanea, 1997.
Butler, Michael L. V.. "Dear Thespians: -." (1974).
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Burnham, Jack. "Systems Aesthetics." Artforum 7, no. 1 (1968).
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Buckner, Barbara. Light and Darkness in the Electronic Landscape: Some Aspects of the Video Image., 1978.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Buckner, Barbara. "Healing Interactions and Interactive Digital Art - News and Project Statement." Afterimage (2001).
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Buckley, Tom. "Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Buchloh, Benjamin. "Allegorical Procedures: Appropriation and Montage in Contemporary Art." Artforum 21 (1987).
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.
Bubmann, Klaus, and Florian Matzner. eine DATA base: Nam June Paik, Edited by Klaus Bubmann. Germany, 1993.
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Brown, George. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

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