Biblio

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Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra." Afterimage 11, no. 1 and 2 (1983).
Furlong, Lucinda. "Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Furlong, Lucinda. "A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, no. 8 (1983).
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
Furlong, Lucinda. "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka." Afterimage 11, no. 5 (1983).
Fuller, Leslie. Light Distances: An Eyewitness Report. In At Arm's Length (Osborn) which see.., 1990.
Friis-Hansen, Dana. Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.
Fried, Michael. "Art and Objecthood." Artforum 5, no. 10 (1967).
Frensel Jr., Louis E.. The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frampton, Hollis. Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).

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