Biblio

Filters: First Letter Of Last Name is H  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
H
Hulser, Kathleen. "Skip Blumberg's Great Performances." American Film (1983).
Hulser, Kathleen. "Artists Gain Access to Cable." Videography 10, no. 1 (1985).
Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.
Huffman, Kathy Rae. California Video. Long Beach Museum of Art, 1980.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Huberman, Anthony, Alanna Heiss, and Glenn D. Lowry. Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust. P.S. 1, 2003.
Hubbard, Jim, and Mona Jimenez. Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance. NY, NY: Media Alliance, 1996.
Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Howley, Kevin. Envision Television: Charting the Cultural Geography of Homelessness In Ecumene. Vol. 8., 2001.
Howley, Kevin. Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 1249.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1972.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1965.
Howard W. Sams & Co., Inc. Production Change Bulletin.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Howard W. Sams & Co., Inc. Production Change Bulletin, Set 683, Folder 4.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1964.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1459.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1975.
Howard, Brice. Videospace and Image Experience. San Francisco: National Center for Experiments in Television, 1972.
Howard, Brice. Dear David. San Francisco, CA: National Center for Experiments in Television, undated.
Howard, Brice. "Letter to David Dowe." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. "An Ancient Gift." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Howard, Brice. "About Television Reality and Performance." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. An Ancient Gift. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Houston Instrument Series 2000 and 3000 Recorders. Austin, TX: Houston Instrument (a division of Bausch and Lomb), undated.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Horrigan, Bill. The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Horrigan, Bill. The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.
Hornbacher, Sara. "Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).

Pages